Why the U.S is and will remain miles (sic!) ahead of europe.

If you want to understand this you simply have to listen to the below excerpt from a planet money interview with Mark Zandi the chief economist of Moody’s Analytics and contrast that with the petit bourgeois, xenophobic attitude towards immigration that is prevailing in Europe:

and again, fundamentally we are fine. we can’t loose the sight of what makes our economy really tick though and that is: the most educated population, the best infrastructure and most importantly of all that we continue to attract the best and brightest from all over the planet, because as long as we can do that we are gonna be just fine.

Breakfast with Joe Lieberman

29 Oct 2010 | 442 words | doha internet politics united states

On monday during my short trip to Qatar i had breakfast with Joe Lieberman1. to be precise ‘having breakfast’ is a bit of an exaggeration here, but i was sitting at the table next to the table where Senator Lieberman and seven of his aides were having breakfast.

Interestingly my table was within hearing distance and so i could pick up most of the conversation that was unfolding at the table next to mine. Conversation is a bit of a big word here. What was gong on at the other table was more of a briefing: a couple of (rather young) US diplomatic staffers gave the senator an introduction to Qatar and the he was asking a couple of rather simple questions in return.

What was interesting about of this was not so much the subject or the contents of the briefing but the way how these diplomatic staffers described the country of Qatar. Instead of describing specific qualities the country they almost exclusively described how certain aspects of the country compared to other countries in the region: instead of saying that Qatar has a relatively well developed set of banking regulations they would say that the banking regulations in Qatar are better developed than those in Saudi but less developed than those of the Emirates. This style of relaying information went on for the entire 20 minutes or so that i cold listen in to their conversation: Everything was presented in relation to other countries in the region (‘more liberal than Saudi Arabia’, ‘more oil reserves that the UAE’, ‘more stable than Bahrain’, etc.)

Now describing a country according it’s relative position within a region probably is an extremely accurate way of doing so. On the other hand it also assumes that the person you are briefing has a good understanding of the absolute characteristics of those other countries (‘i.e ho politically stabel is bahrain?) and it also strikes me as somewhat disrespectful (which is probably a bad idea if you are describing a country that owns your own Embassy in London) since it implies that the country in question does not possess any noteworthy characteristics by itself.

Update 28.1.2011: boing boing has a post what shutting off the internet looks like (in egypt) that contains this image.


  1. For those of you who forgot about him he was vice presidential candidate who together with the inventor of the Internetset us up with Bush Jr. and who instead of taking this as clue to stop (like gore did) tags along in US politics and comes up with really stupid proposals like the one for an internet kill switch once in a while). ↩︎

On risks & rewards (related to sharing metadata)

15 Oct 2010 | 825 words | copyright europeana metadata technology work

In the light of yesterday’s rather confusing and unconstructive discussion about ‘risks and rewards’ at the Europeanaopen culture 2010‘ conference, i thought that it might be useful to clarify a number of things. If you take a step back from form your favourite grief about copyright/public funding and look at the larger picture the whole risks and rewards discussion is actually quite simple:

Say you are a cultural heritage institution that wants to make digital representations of cultural artifacts (your ‘content’) from your collection available online: First you will need to ensure that you are actually allowed to offer these digital representations online (for example because the artifacts are out of copyright (in the public domain) or because you have managed to obtain permission to do so from the copyright holders). Once you have succeeded in this you will probably make some descriptive metadata about the objects available alongside the digital representations (if you don’t it will be very hard for users to find and to make sense of these digital representations)

Now say you want (or have to1 work with Europeana, what does that mean for your content and your descriptive metadata? You work with Europeana by contributing descriptions about the digital representations that you want to make accessible via www.europeana.eu to Europeana. In order to be able to point people to your content Europeana needs to have these descriptions. In contrast to your metadata Europeana does not need or want you content2.

Now what happens if you give your descriptive metadata to Europeana? Europeana will use it in order to point its users to your content. In order to do so Europeana will transform, combine and enrich your metadata with other relevant metadata that has been contributed by other heritage institutions. In order to fully leverage the possibilities offered by the web it also needs to make your metadata available online without restrictions (this is called linked open data, and if you want to understand why this is amazing you should go read the excellent primer on the next generation European Data Model by Stefan Gradman et al).

Now that sounds scary: ‘your metadata available without restrictions’. So lets break down the risks: First of all you loose some control over your metadata since others can work with it as well. This risk squarely falls into the category of a known unknown since you wont be able to tell right now if that loss of control will have positive or negative consequences. Secondly there is a risk of loosing imaginary revenue3: other parties might somehow generate revenue based on your metadata (this is more if an unknown unknown).

But since there are risks to making available your metadata without restrictions, there are also rewards: if your metadata is not available on Europeana users cannot find your content via Europeana. Being findable via Europeana will bring more users to your content and making your metadata available to Europeana will also result in Europeana enriching your metadata (and you are then free to incorporate enriched metadata in your own system or not).

Now all you have to do yourself is to decide if the risks out-weight the rewards: If they do then you should not make metadata about your content available to Europeana and you will not have to face these risks. On the other hand if the rewards out-weight the risks then you should probably make your metadata available to Europeana (and of course you can always experiment with a small portion of your metadata first to see if your cost benefit analysis is correct, you can also exclude your most valuable metadata or provide subsets).

In the end this really comes down to this: Europeana is a search engine that will help people find your content based on the descriptions of the content that are providing to Europeana. If you don’t provide descriptions your works can’t be found via Europeana and you do not have to face any of the risks described above4.


  1. This depends a bit on how you look at this. if you have accepted funds to digitize your content under the condition that you make it available via Europeana then of course you had the choice not to take those funds. ↩︎

  2. Your content is very similar to the secret code that comes with your debit card here: your bank has no reason to ever ask you for your secret number and Europeana has no reason to ever ask you for your content. if they do something fishy is going on and you should alert the competent authorities. ↩︎

  3. Imaginary revenue is always bigger than actual revenue. Imaginary revenue is created by fantasizing about a yet undefined customer showing up and offering lots of revenue for something that so far you have failed to monetize yourself. ↩︎

  4. Depending on how Europeana will grow not making your descriptive metadata available might also carry a risk: you might become less relevant as an institution. ↩︎

Beyond City Limits

Kimon pointed me to this impressive article by Parag Khanna in which he argues that (mega)cities are slowly emerging as the dominant international actors replacing nation states along the way. His article titled ‘Beyond City Limits’ is well worth a read and a refreshing take on the subject of urban growth.

Ever since the publication of Mike Davis’ ‘Planet of Slums‘ in 2006 contributions to the discussion about this subject seem to have deteriorated to become a constant stream of repetitions of the observation that since very recently ‘more than half of the worlds population is living in cities’. In his essay Khanna examines what this development means on the level of international relations and politics. One of his most interesting observations focusses on the relationship between urban centers and international borders:

Instead, [Sudan and the Democratic Republic of the Congo] seem to be headed toward division, with the new borders following and surrounding the main cities that are their gravity points, like Juba in South Sudan and Kinshasa in Congo. Or perhaps borders don’t need to change at all, but rather melt away, so long as locals have access to the nearest big city no matter what “country” it is in. This is, after all, how things really work on the ground, even if our maps don’t always reflect this reality.

One other passage that caught my eye (given today’s news it seems very appropriate to examine relocation options) is Khanna’s praise for Doha (a place that i will have the opportunity to visit next month):

Already the result in the Persian Gulf is something truly new, as a once-barren cultural zone features increasingly global melting pots like the Qatari capital of Doha, where residents hail from more than 150 countries and far outnumber the locals. If these new five-star hubs play it right, they could convince Westerners to give up their citizenship for permanent homes in a friendlier, tax-free environment.

go read the full article here.

Stock trades, art and algorithms

26 Sep 2010 | 686 words | algorithms art economy future modernity technology

If you ask me one of the more fascinating things going on out there right now is high-frequency trading. High-frequency trading (HFT) occurs when traders program computers to buy and sell stocks (or other financial products) in quick succession under certain, pre-defined circumstances. (a good starting point to learn more about HFT is this planet money episode or this ai500 article by Joe Flood).

Apparently High Frequency trading enables successful trading firms to skim of enormous surplus off these transactions (up to 1 million USD per day according to the planet money episode mentioned above). Not surprisingly this behavior can also act as a destabilizing factor wrecking havoc on stock markets. It has been one of the contributing factor’s to the ‘flash crash‘ which saw the Dow-Jones index plunge nearly 1,000 points in seconds on the 6th of may 2010.

If you believe wikipedia (which of course you should not) High Frequency trading is currently responsible for 70% of the equity trading volume in the US. Needless to say the practice is generating a fair share of controversy among economists.

At the core of this controversy are the merits of HFT: does is make macro-economic sense (because it ensures the liquidity of markets and limits market volatility) or is it detrimental to the economy at large (because it extracts value from markets based on no other fact than that prices tend to move)?

While this debate is going on it appears that there are even stranger things occurring in the field of high frequency trading: in August the Atlantic reported on research undertaken by a market data firm called Nanex that unearthed trading patterns that do not seem to make sense even by the high obfuscation standards of HFT. The article in the Atlantic claims that these strange patterns are the result of ‘mysterious and possibly nefarious trading algorithms’ whose ways and reasons of operation are known to no-one:

Unknown entities for unknown reasons are sending thousands of orders a second through the electronic stock exchanges with no intent to actually trade. Often, the buy or sell prices that they are offering are so far from the market price that there’s no way they’d ever be part of a trade. The bots sketch out odd patterns with their orders, leaving patterns in the data that are largely invisible to market participants.

When you visualize this you get something like this (graphs by Nanex):

According to the Atlantic it is unclear what exactly causes these patterns to emerge. The Nanex researchers have come to the conclusion that these algorithms are most likely an attempt by trading firms to introduce noise into the marketplace in order to realize a competitive advantage:

Other firms have to deal with that noise, but the originating entity can easily filter it out because they know what they did. Perhaps that gives them an advantage of some milliseconds. In the highly competitive and fast HFT world, where even one’s physical proximity to a stock exchange matters, market players could be looking for any advantage.

On the other hand there are much more poetic explanations for the emergence of these patterns, that abandon the idea that these patters serve a purpose all-together:

On the quantitative trading forum, Nuclear Phynance, the consensus on the patterns seemed to be that they simply just emerged. They were the result of “a dynamical system that can enter oscillatory/unstable modes of behaviour,” as one member put it. If so, what you see here really is just the afterscent of robot traders gliding through the green-on-black darkness of the financial system on their way from one real trade to another.

Whatever they are, these patterns are also outright beautiful. The above visualizations remind me on the work of german artist Jorinde Voigt, who’s stunning drawings (pdf) often rely on algorithms as a source:

Konstellation Algorithmus Adlerflug 100 Adler, Strom, Himmelsrichtung, Windrichtung, Windstärke -Jorinde Voigt Berlin, Oktober 2007

p.s:Sara says that these stealth trading bots remind her of the tiger in Jonathan Lethem’sChronic City instead. p.p.s: Also just finished reading ‘the Fires‘ by the aforementioned Joe Flood. brilliant book, highly reccomended.

Kabul tourist guide

The city of Kabul (and Afghanistan in general) is still pretty high on my list of places i want to visit. Unfortunately, the closest place to Kabul that i got to so far is Delhi. Fortunately, however, there is the fabulous internet where Safi Airways ‘the international airline of Afghanistan’ is publishing PDF versions of it’s fabulous in-flight magazine. Browsing through the three available issues only reinforces my desire to go and visit the place.

As far as the standards of such publications are concerned the Safi Airways in-flight magazine boasts a number of rather unconventional topics (dog fighting, opium addiction) and a somewhat chaotic layout (a story about ‘man eating lions’ is run right next to an article about Kabul’s christian cemetery). Among the quirky stories and hidden in-between a fair amount of ads for armored cars are some real gems like this one about a olympic-size swimming pool on a hill overlooking Kabul that was never filled with water ‘due to the difficulties of pumping water uphill’:

Some of the parts of the magazine are outright amusing. This is especially true for the section of the publication that serves as a city guide for Kabul. The (apparently expat) copywriters seem to have inherited a certain casualness from their work in Kabul which readily expresses itself in the descriptions given in shopping section that covers everything from shopping malls:

Kabul city center is Afghanistan’s first modern style indoor shopping mall that opened in 2005. it is approximately 9 stories tall and is located in downtown Kabul

… to open air bazars offering counterfeit entertainment products …

Chicken street is famed for it’s tourist fare (carpets, carvings knifes etc) and pirated CD/DVD’s

… to sellers of misappropriated goods:

Karimi Supermarket […] make sure to head upstairs for some great stuff that’s fallen off some PX trucks.

Another area where the copywriters really shine are directions to restaurants and shops that are provided alongside these descriptions: The ‘Red Hot & Sizzling” restaurant can be found after making …

… a left at the next traffic circle. slow down, the first gate to the right used to have a red chili pepper hanging up on a pole. Not easy to find.

And in order to get to the ‘Corner Pizzeria’ you have to …

… head down the barricaded street to almost the end. You’ll see big misspelled banners showing you the way.

Update (6 sept): Spiegel online has an interview (in German) with the editor in chief off the in-flight magazine. turns out that the whole thing is intended to be ‘honest’ (as opposed to all other in flight magazines out there).

What is a bike messenger?

22 Aug 2010 | 224 words | cycling drugs traffic work urbanism

Couple of days ago boingboing ran a post about a SF bike messenger who claims to work while tripping on LSD. Today i finally read the whole text (as opposed to just the short quote on boingboing which focusses on his cycling while tripping experience). Turns out that the his entire rant is rather amusing and that it contains one of the best descriptions of how the bike messenger business works i have ever come across:

In big cities, cars are fucking everywhere. It’s a wonder people still buy them, because they move at approximately the same speed as tortoises with arthritis, are goddamn expensive, and you use up more of your gas tank waiting at stop lights then you do actually driving. And because some people in big cities need packages transported from Point A to Point B in a very short amount of time (faster than the tortoises with arthritis can carry them) these people pay us an exorbitant amount of money to us, bike messengers, to bust our asses to transport said packages from Point A to Point B in a very short amount of time. Then, the company that hires us takes a small finder’s fee (approximately 90% of our wages) and gives us our pittance sum of cash that we get for risking our lives on a daily basis.

Best cycling jacket ever

12 Jul 2010 | 208 words | amsterdam cycling fashion rain urbanism

Usually i do not promote products on this page, but i am so happy with my (relatively) new cycling jacket that i make an exception here. My new kättermusen einride jacket is more or less perfect for a cycling jacket:

The einride jacket (which is for some strange reason marketing as a mountaineering/trekking garment) has the perfect cut for cycling including a hood that that protects your head against the rain without impairing your field of vision or your ability to move around your head. but the best thing is the fabric: instead of some highly engineered synthetic fabric the jacket is made from super densely woven cotton. Apparently the fabric, called EtaProof was developed during the second world war:

At that time the fabric was developed for British Hurricane pilots who often were forced to bail out with the parachute or make an emergency landing in the ice-cold Atlantic. During the nineties, Stotz & Co. adapted the fabric to the newest standards and turned it into EtaProof. Today this high-tech product made of pure cotton…

The stuff is not exactly rain proof, but it feels super nice and gets you dry through 15 minutes or so of rain. in other words it’ perfectly suited for Amsterdam summers…

resilience | /ɹə.zɪl.ɪ.əns/

03 Jul 2010 | 384 words | airtravel amsterdam security terrorism

Last week thursday night someone tried to break in to our offices on the fourth floor of a building on the Keizersgracht in Amsterdam. in order to gain access to the office the wannabe-burglar(s) kicked in the door, pushing one of the wooden door panels into the room. it appears that they then waited to see if there was an alarm system and that they quickly left the building without taking anything from the office when the alarm sounded 20 seconds after the door was kicked in.

So while they had more or less unrestricted access to the office they did not take anything: Not one of our apple cinema displays, nor the cash box or even one of the bottles of fine french wine that we keep to entertain our guests. in other words, our system to prevent burglaries worked as intended: someone intended to break into the office but did not do any substantial damage because the alarm system went of and scared the wannabe-burglar(s) away.

Now the strange thing is that when you tell this story to others they react completely different: instead of recognizing this story as and example of something working as intended, people tend to see it as something negative (‘oh that’s terrible!’ is the usual reaction). Of course this reaction does not make any sense because this kind of event is exactly why we have an alarm in the first place.

Unfortunately this cognitive is not limited to smal scale burglary. It is very similar to how the public tends to react to failed terrorist plots like the shoe-bomber or the pants-bomber or the assorted idiots that are not even capable of blowing up their own cars (exhibit 1, exhibit 2). In all of these events the system worked as intended: no harm was done because the wanna-be terrorists did not manage to acquire explosives capable of inflicting actual harm or because they were simply too stupid to carry out their plots.

Instead of looking at these events as proof that open societies actually display a good measure of built in resilience, the public tends to interpret these events as proof that the terrorists are alive and well and the ‘security’ agencies thankfully exploit this cognitive bias to come up with more (and often absurd) ‘security’ measures.

Publishers are stupid

06 May 2010 | 629 words | books copyright ebooks publishing stupidity

So imagine this scenario: you are on an isolated tropical island that does not have a bookstore, you are out of books, but you happen to have an electronic reading device with you that is wirelessly connected to the internet and that is tied to you credit card account (which is not maxed out). This should constitute one of the most ideal business cases for selling books to this particular individual, but for some reason the publishing industry does not seem to be willing to cater to this scenario.

Two months ago while on vacation i found myself in this very scenario (aggravated by the fact that i had left my copy of Salinger’s ‘the Catcher in the Rye‘ with 30 unread pages to go on the ferry boat that took us to the island). Unfortunately for me (and the rights-holders) you cannot buy an electronic copy of ‘the Catcher in the Rye’ from the international kindle store run by amazon. instead you can get about 13 different books that deal with the ‘Catcher in the Rye’ in some form or another (reading helps, studies of the book etc) but the original text is notably absent from the international kindle bookstore. The most likely reason is that some publisher has decided that it is somehow not in his/her interest to to sell the book to people like me1.

So instead of reading the final chapters of ‘the Catcher in the Rye’ i was forced to read the the New York Times (which is available via the kindle no matter where you are) for 7 days and once we were back on an island with a second hand bookstore i purchased a 2nd hand copy of the ‘Catcher in the Rye’ and finished the book. Of course all of the money i spend on that second hand copy (which was more than the price of the original paperback that i had left on the ferry) is going to the owner of the bookstore and none of it is is ending up in the pockets of the publishers or the author (who is dead so in this case the stupidity of the publishers does not harm the author).

Obviously there real danger to authors is not that people who are unable to obtain ebooks because of rights-issues will turn to second-hand bookstores. Instead it is more likely that they will turn to file-sharing networks and other sources for unauthorized copies instead. Already there are more unauthorized ebook editions than there are books on the international kindle book store and the only reason why this has not yet become a real problem is that only a few people own specialized reading devices. This of course will rapidly change over the next couple of years.

If the publishing industry does not get its act together and makes sure that we can purchase all books on whatever platform we like right after they have been published regardless where we happen to be, it will find itself in exactly the same position as the music industry is finding itself for the last 10 years. Of course they are free to do so should they really want to end up there, but since they have been warned it would be nice if they could refrain from the disgraceful whining that we have had to endure from the music industry for the past decade. The choice is theirs…


  1. Ok, there is an even more likely explanation: the book is probably not available because the rights to do so rest with a bunch of different publishers for different territories and so there is no-one who can make it available an online bookstore that covers multiple territories. as far as i am concerned this still counts as being stupid. ↩︎

meanwhile... is the personal weblog of Paul Keller. I am currently policy director at Open Future and President of the COMMUNIA Association for the Public Domain. This weblog is largely inactive but contains an archive of posts (mixing both work and personal) going back to 2005.

I also maintain a collection of cards from African mediums (which is the reason for the domain name), a collection of photos on flickr and a website collecting my professional writings and appearances.

Other things that i have made online: