... in war

Kurtlar Varsi vs. Valley of the Sun

13 Mar 2006 | 624 words | iraq war movies film united states helicopters review

Have seen one and a half war movies today. First i went to Neukölln to see ‘Kurtlar Varsi: iraq‘ (Valley of the Wolves: Iraq) and then tonight on TV i ended up watching the second half of ‘Tears of the Sun‘.

For those who have not followed the hysteric discussions in Germany in the last month: Valley of the Wolves is the Turkish Blockbuster that depicts a Turkish secret service agent’s mission in Iraq. He is on a (unofficial) mission to kill a CIA operative who was responsible for arresting and humiliating a dozen of Turkish soldiers who were stationed in northern Iraq after the US-led invasion in 2003. Having the soldiers arrested and taken away with bags over their heads apparently caused an enormous nationalistic trauma in Turkey and our hero (the tagline of the film is ‘Some Men Are Born to be Heroes’) is here (or rather in Iraq) to take revenge (and to break the hearts of local women).

The film has been wildly accused of anti-semitism and anti-Americanism in the German media and while does indeed use anti-semitic clichés to a level where it is hard to not leave the cinema i would not call it anti-American. The film rather portraits the the American aggression against Iraq from a viewpoint that is not identical with that of the aggressors (and the western media). While in general the story-line is at best absurd (like in most of the films starring Chuck Norris) and the dialogues are extremely weak, the film does give you an idea how the global war on terror can be perceived if you have been born on the wrong side of the either-you-are-with-us-or-you-are-against-us rhetoric.

The most striking scene of the movie is the re-enactment of the 2003 Abu Ghraib torture photographs which makes some of the pictures (the dog & pvt. England) come alive on screen. You can argue that this is a cheap trick (like two young leftists in the subway station did), but it also is the most realistic scene of the entire movie as it is undoubtedly based on real events. In the end it is this scene what keeps the movie form being a bad, anti-semitic, pathetic and pseudo religious piece of crap as it it gives it some credibility. To me it almost feels like the rest of the movie just serves the function of tying the Abu Ghreib scene and the arrest of the Turkish soldiers together. The interring question is if the film would have had the same success without the blatant anti-semitism…

Tears of the Sun, to the contrary, features Bruce Willis as a cynical American special force commander that goes into the jungle to save a (attractive female) american doctor and (being under the influences of her charms) ends up disobeying orders (and losing a couple of his men) in order to protect (her and) the 70 or so refugees, whom his superiors considers ‘excess baggage’.

Valley of the sun (just like Kurtlar Varsi, where the Turkish super agent finally manages to kill his American counterpart but looses the beautiful chick) does have an happy ending (complete with a copy of the palm tree napalm air-strike scene from apoclypse now) in which the black hawk helicopters arrive to take the exhausted special forces soldiers and the refugees home while smiling african kids wave the helicopters good-bye as they depart into the afternoon sky…

While i cannot help to feel relieved when the black hawks arrive in the sky this particular combination of films makes me wonder how many people outside of the first world are left to muster the optimism of thinking that help is on its way when they see a black hawk helicopter approaching in the sky…

Don't cry for me Adolf Hitler

18 Feb 2006 | 402 words | berlin theatre war culture

Up until now i have been pretty sure that things around me are going down. I mean since i am 15 or so, thing’s around me close down: it may be no secret that i was totally in favor of my school closing down, but for the rest it is usually bad: municipal swimming pools close, train lines disappear, bank branch offices get replaced by card-eating machines and cultural institutions get forced to shut down by budget cuts (and then i am not even talking about good ole’ fordist factories here).

So when a new theater opens around the corner from your house that is actually quite an unbelievable development. But that is what just happened around the corner from our house. A group of actors, directors and other theater people have turned an unused backyard hall on pappel allee into the ballhaus ost (beware: beautiful but stupid flash site!!) .

On top of the fact that it probably takes a lot of guts to start a theater without subsidy and all the other positive signals being given by this bold act as they have been discussed in the feulleiton of almost every German newspaper in the last two weeks it is also a nice thing to suddenly have a theater around the corner: it means you can just go out of the door to see if there are tickets left for the night’s performance if you are sitting at home being bored or depressed or both. And that is exactly what i did tonight and i ended up seeing the premiere of ‘Don’t cry for me Adolf Hitler’ (by Uwe Moritz Eichler):

I would have never expected that i would actually enjoy a performance that for a good deal consist of songs performed in german but in the end i did: the piece is situated in a end of second world war german army field hospital (think mas*h) which is run by double playing nurses trying to protect their drug addict, signal relaying, love-sick patients from an imbecile army inspector and Adolf Hitler himself while musing about love and happiness. Sounds extremely cheesy but actually it is quite insightful an entertaining (big props to the sparse contributions by the trumpet player (Steffen Schult)).

If you are in Berlin and you understand German you can see further performances on 24, 25 feb and 5,8,10,17,22 and 23 march at Ballhaus Ost, Pappelallee 15.

Computer controlled missiles

04 Dec 2005 | 285 words | technology iraq drone wars war terrorism

Looks like computer controlled missiles are all the rage this weekend. first allthetechnology blogs showcase a USB powered airdart launcher that can be controlled from any mac or PC. It is being sold for 20 pounds over at the Marks & Spencer online store

Powered by your mac or pc, you’ll have hours of flying fun with these USB air darts. Let the mission begin! Control the aim and the firing mechanism of the darts via your computer mouse! 3 darts! Software included!

usb powered airdarts

… and a mere two days later the BBC reports on a ‘new tack in cyber war‘:

A new twist has surfaced in the cyber war being waged by Islamic militants.

A message has been posted to several radical Islamist – or jihadi – websites announcing a competition to design a new site for a militant group in Iraq. The prize offered is the chance to fire missiles remote-controlled by computer at a US military base in Iraq. […] The winner will be given the chance, the group says, to fire three long-range missiles at an American army base in Iraq by – in the words of the announcement – “pressing a button on his computer with his own blessed hand, using technology developed by the jihad fighters”.

Note the technical similarities: three missiles to be fired form your office chair with your own blessed hand. Makes me wonder if the jihadies do indeed develop their own technology or if the just go online shopping at M&S.

Update (04-dec-05): Looks like the contest has been announced on the 5th of november. So maybe it is the other way around: M&S nicking their x-mas toy ideas from the jihadies?

New Orleans, Mogadishu

10 Sep 2005 | 671 words | united states security cities war media mogadishu

Been following the coverage about the aftermath of hurricane Katrina for the last couple of days and the whole thing has brought a lot of issues to the surface. (Boing boing has been an incredibly valuable source of information, jamie has written a nice summary mid last week and i also have rediscovered tomdispatch (they should fix their rss feed though). Now it seems that the situation is loosening up a bit, and it looks like there will be much less casualties than feared earlier (the total will stay well under 1000 if you ask me).

To me the most insane aspect of the whole story is the incredibly militarized reaction to this catastrophe. While there have been countless reports of armed gangs that supposedly have been looting killing and raping i have yet to see something that convinces me that these things have actually taken place on a larger scale than ususal: most of the stories have been based on hearsay and i have not come across one report that presented actual victims. Would be interesting to know if there are statistics about fire-arms-related casualties and injuries. Given the fact that almost every official involved in the rescue operation now seems to wear a kevlar vest and an assault rifle and half of them seem to be riding around in armoured personal carriers, one might assume that there must have been heavy losses among the rescue crews in the first 4 or 5 days which forced them to rund around as if they wehere in an actual war. But given the fact that there haven been no dead-hero stories about killed rescue workers i guess it is safe to assume that none of them got hurt, which makes the whole assault rifle carrying business pretty hard to understand (unless one assumes that rescue crews are mainly white and are just scared to to venture into a city populated by impoverished Africans Americans).

The insanity of this situation was best captured in a picture i saw a couple of days ago (i tried to find it back but image search on the net is still a pretty hopeless affair): a bunch of white males in civilian clothes with assault rifles, body armor and ridiculous sun glasses on the back of a pickup truck riding through a submerged street. the caption said something like ‘Police officers patrolling in New Orleans’. If the their vests would not have had ‘police’ and ‘sheriff’ written all over them one might have taken them for private contractors a.k.a mercenaries. The whole scene reminded me of Mogadishu during the height of the civil(?) war in the early nineties. the imagery of that conflict was more or less dominated by technicals: modified pickup trucks with groups of armed – in this case black – males on them. Back then the technicals were the most visible symbol of the ‘failed state’ in Somalia. It is rather ironic that the same configuration is supposed to be ensuring law and order in the US now.

Update (11.09.05): internet image search might be a hopeless affair, but nevertheless it can unearth little gems: there seems to be a plastic model set to build your own technical in 1/35.

Update (31.09.05): Todays International Herald Tribune runs a story (‘Rumors fueled tales of looting in New Orleans’) that seems to support both my assumptions made in this post. according to the article the total number of casualties stands at 845 and

a review of available evidence shows that some, though not all , of the most alarming stories where figments of frightened imagination […]. During six days when the Superdome was used as a shelter, the chief of the New Orleans Police Department’s sex crime unit, Lieutenant David Benelli sai he and his officers lived inside the dome and investigated every rumor of rape or atrocity. In the end they made two arrests for attempted sexual assault and concluded that the other attacks had not happened. “I think it was urban myth” Benelli said.

On asymmetric warfare

20 Aug 2005 | 308 words | war iraq occupation, gaza

Couple of days ago spiegel online ran a story about how the insurgents in Iraq where now using dogs with explosives being strapped on to them to attack the occupying forces. While the article did not even bother to point to specific incidents or provide other proof for this claim it reminded me of two pictures of donkeys slummering on my hard-disk.

In late 2003 donkeys suddenly entered the stage of the global war on terror with incidents involving donkeys taking place in Bagdad …

Most people would never suspect the lowly donkey of being an instrument of terror – which is exactly why anti-U.S. insurgents used the beasts to launch rocket attacks Friday on two hotels and the Oil Ministry in Baghdad. […] Iraq’s donkey cart drivers now find themselves on the front-line of suspicion after insurgents used the traditional vehicles to launch rockets at the capital’s two main foreign media hotels on a major commercial street on Friday. (jordan times 23 november 2003)

… and Gaza:

Israel killed a senior Hamas militant with a helicopter missile strike on a donkey cart he was riding Thursday after his radical Islamic faction fired a rocket into a large Israeli city for the first time. […] Palestinian bystanders collected parts of Kalakh’s body from the ground, wrapped them in white cloth and carried them on a stretcher to a hospital in the Palestinian city of Khan Younis, in the south of the densely populated Gaza Strip. The donkey lay dead on the ground next to the smashed cart.

The picture from bagdad did not feature a dead donkey (which was kept alive but left other people wondering about his future) but perfectly expressed the helplessness of the US army in dealing with the situation in Iraq. You see two rather puzzled us soldiers calling home from the donkey cart.

Finally, a connection between Iraq and 9/11...

29 May 2005 | 5 words | beirut cars lebanon iraq war

Downtown beirut, 29 May 2005

meanwhile... is the personal weblog of Paul Keller. I am currently policy director at Open Future and President of the COMMUNIA Association for the Public Domain. This weblog is largely inactive but contains an archive of posts (mixing both work and personal) going back to 2005.

I also maintain a collection of cards from African mediums (which is the reason for the domain name), a collection of photos on flickr and a website collecting my professional writings and appearances.

Other things that i have made online: