This saturday my friend Valery (together with Eric & Merijn) are hosting a mini conference called ‘Migrant Media Metropole – New labour struggles in the global city‘ at the Balie in Amsterdam.

Migration and media-activists gather with theorists and labour organizers to discuss and share best practices in the fight against precarity and insecure labour conditions. Sharing inspiring examples of social justice unionism and creative campaigning like “Justice for Janitors” in the U.S. and “Cleaners For a Better Future” in the Netherlands. The aim is to challenge traditional labour practices, syndicate and inspire a sharper network of social activists, academics, media makers and artists to join contemporary urban labour struggles and confederate into a globalization from below.

This mini conference, which brings together lots of people i have been working with over the past few years, should be extremely interesting for anyone being even remotely interested in issues of migration and labour. Originally it was planned as part of the escalation strategy of the Cleaners For a Better Future campaign here in the Netherlands.

As part of this campaign cleaners, organized by the FNV trade union, in collaboration with activists from social movements in the Netherlands fought for a minimum hourly wage of €10 and a number of other social befits. The campaign made heavy use of direct actions (which is relatively new and uncommon for unions in the Netherlands) and ultimately succeeded in realizing all the demands of the cleaners:

We won 10 euros an hour for everyone starting on January 1st 2009. Workers above 8 years seniority will get the 10 euros in April of this year while everyone else will go from $8.50 to $9.70 an hour in April as well. We got an extra paid holiday, additional travel pay increase, Dutch and vocational training on company time for every worker, initial language to protect staffing levels upon contract change and full access. The contract will cost employers and clients 135 million euros. This is a national agreement covering 150,000 cleaners.

As far as i can tell this is mighty impressive (although V. who expected this struggle to go on for much longer describes this sudden victory as a ‘premature ejaculation’). It seems as if there are very few places in the world with a minimum hourly salary of 10 euros for cleaners (ironically one of them seems to be the kingdom of Belgium, where the minimum hourly salary for cleaners is €10.73 – but then cleaners are called ‘surface technicans‘ in Belgium).

Speaking about silliness of the struggle against terrorism, it seems that a bunch of people in Boston have teamed up to celebrate the one year anniversary of the aqua team hunger force LED ads bomb scare in the only sensible way, that is by putting up lots of LED art up on the streets, walls and bridges of boston:

This is interesting – it seems that a group of artists have celebrated 1-31-07 in their own way and have created a series of political themed LED art sculptures and (you guessed it) placed them all over Boston. […] Get there before the robots do. [via make check out their site for many more photos]

Just finished watching the BBC documentary (from 2004) ‘the power of nightmares – the rise of the politics of fear‘ by Adam Curtis. This three part mini series compares the rise of the American Neo-Conservative movement and the radical Islamist movement, making comparisons on their origins and noting strong similarities between the two. Curtis argues that the threat of radical Islamism as a massive, sinister organized force of destruction, specifically in the form of al-Qaeda, is in fact a myth perpetrated by politicians in the west in an attempt to unite and inspire their people.

While i generally agree with this analysis, the series has one central weakness. In part three (‘The Shadows in the Cave’) he describes in detail how none of the 600+ people arrested under the post 9/11 UK anti terrorism legislation until 2004 had any connection with Al Qaeda and how none of them was actually arrested for (planning to) carry out terrorist attacks. While this is factually true it sounds quite different when seen from todays perspective as it merely demonstrates that the UK anti-terrorist organizations failed to recognize the activities of the 7/7 bombers before they carried out their attacks.

However i would still argue that Curtis has a point (which is aptly illustrated by the silliness that the UK security forces have demonstrated in the post 7/7 period (see here, here, here & here) and if you have not seen the power of nightmares yet, you would probably want to download it from a torrent tracker near you.

I think i bought my last CD (‘Original Pirate Material‘ by the Streets) in 2002 only to rip it to my computer and then to leave it in a train running along the river rhine from Cologne towards Karlsruhe (in the hope that someone else would find it and enjoy it). I have not bought a music CD ever since (with the exception of a couple of baile funk CDs in Rio de Janeiro in 2006, but these don’t count because they were burned on demand by the sellers).

As everybody who hasn’t spend the last couple of years under a rock or in Gunatanamo Bay will know, CDs are not exactly selling well anymore. This is not only evident from the sales figures from 2007 (another 20 percent drop in volume) but also from this little gem of a story (‘Robbie Williams CDs will be used to pave roads in china‘) from BLDGblog:

EMI has announced that “unsold copies” of Rudebox, by British pop star Robbie Williams, “will soon be used to resurface Chinese roads.” More than a million copies of the CD “will be crushed and sent to the country to be recycled,” we read, where they “will be used in street lighting and road surfacing projects.” […] In any case, does all this imply some strange new infrastructural claim to fame? “You know that CD they used to pave the King’s Road?” a man asks you, putting his coffee down as if to emphasize the point. He crosses his arms. “I played bass on that.”

Guess those CDs won’t make it very far beyond the year 2008…

Not sure if all of them are used to get persons across the US/mexican border, but ABC news has a little item (‘Fake FedEx trucks, when Drugs absolutely have to get there‘) on what they call ‘cloned vehicles’:

Savvy criminals are using some of the country’s most credible logos, including FedEx, Wal-Mart, DirecTV and the U.S. Border Patrol, to create fake trucks to smuggle drugs, money and illegal aliens across the border, according to a report by the Florida Department of Law Enforcement. Termed “cloned” vehicles, the report also warns that terrorists could use the same fake trucks to gain access to secure areas with hidden weapons.

The report says criminals have been able to easily obtain the necessary vinyl logo markings and signs for $6,000 or less. Authorities say “cosmetically cloned commercial vehicles are not illegal.”

A fake U.S. Border Patrol van was found to be carrying 31 illegal aliens in Casa Grande, Ariz. An alert agent recognized that the “H” in the van’s serial number is a letter used only on U.S. Border Patrol Jeep Wranglers. It should have been a “P.”

Unfortunately the photos provided with the article are of inferior quality so i wont display them here. Check out the fake fedex truck and the fake border patrol truck on the ABCnews website.

So i have written about Europe being the mediterranean northern bank on this blog before. When i flew to South Africa last week i actually had a chance to have a look at the Mediterranean south bank for the first time:

Scene: South African Airways flight SA265 from Johannesburg to Munich somewhere over Zimbabwe:

me: mam do you have any leftover meals?

flight attendant: chicken or pasta?

me: chicken please

flight attendant: 10 dollar (US)

me: i only have euros

flight attendant: then i’ll take five

We also do not have any robots left on our streets and little traffic so we don’t have the kind of traffic jams I saw in Jo’burg during a power cut. [Zimbabwean journalist writing on how to deal with frequent blackouts in the Sunday Independent]

No, this is not from the future, nor is not a status update from iraq and no, there are also no industrial assembly robots lining Jan Smits avenue in Jo’burg. I can also ensure you that the streets are not filled with aibo’s, roomba’s or other useless electronic pets. The robots mentioned in the above quote would simply be called traffic-lights in the rest of the world. No clue why, but i think it is cute.

(I suggest to listen to Dizzee Rascals ‘sirens’ while reading this post). so I am in Johannesburg (or some elite gated community called ‘Sandhurst‘ that tries hard not to be part of the rest of the urban fabric) for less than two hours and I am already not used to a lot of things:

Physically i am totally not used to run up and down hills. it’s something we just don’t do in Holland (because of the general flatness of the place). Even worse i am not used to running up hills in the mid day summer heat.

More interestingly though i am totally not used to run in a place like this. Sandhurst is a gated community with only two entrances and even within that fenced-off area every property is individually surrounded by electrical fences, CCTV cameras and armed guards. In fact the only people on the street are either guards or cleaning crews.

As if it was not surreal enough already to run around in this maze of streets that is surrounded by an outer fence and surrounds the inner fences around the individual properties, there are these cars of security companies that patrol the streets and which have the most hideous – straight form the movies – names:

USB marines, Armed Response Unit, SWAT unit (complete with desert camouflage paint job) or – my personal favorite – the jack bauer inspired ‘tactical team‘ SUV.

Tommy, who is from Croatia and should know such things, consequently calls this place a ‘war zone’ and as far as i am concerned that Dizzee Rascal song mentioned at the beginning of this post provides the perfect soundtrack for running through this madness.

So Felix (make sure to check out that splash page!) has posted an really good review of Steal This Film II to the nettime mailing list. If you still need a reason/excuse to download and watch STFII i suggest reading his review:

This experience reinforces the main point of the film: file-sharing – a technologically super-charged, deep cultural practice – is beyond the point where it can be stopped. The old media industry has lost control over the distribution of content, radically reducing the power of the current gate keepers to determine who can access the archives, who can produce new works, and who can reach an audience with those works.

The film’s premise is that file-sharing is transforming the basic mechanism of how culture and information is distributed with consequences as profound as the transformation brought about by the printing press. Now, for anyone who remembers the late 1990s, this introduces a certain deja-vu, since this argument was pretty much what fueled the dot.com boom back then. But here, it is delivered with a twist. It’s not the happy venture-capital infused entrepreneurs who turn the wheels of change, but the pirates who expand the scope of the possible for the masses, and the teenagers who have already claimed this new space as their natural cultural environment. This is not a top-down revolution.

Meanwhile Jamie has written up some thoughts about the amount of donations The League of Noble Peers is receiving as a result of their call for support. Seems like suggesting to donate a higher amount of money ($15 as opposed to 1$ as they did for when they released the original Steal This Film in 2006) works rather well. In his blog post Jamie is combining these first experiences with research about the spread of Sexually Transmitted Diseases (a gonorrhea epidemic to be precise) to come up with the expectation that it is perfectly possible to produce profitable documentaries based on voluntary donations:

What is also necessary is a spreading of the “generosity virus”, not just for STEAL THIS FILM (although boy, could we use it!) but for all independent creators who’ve dispensed with the restrictive, punitive, retrograde commodity model and chosen to work with a new, more far-sighted paradigm. In these first days of distributing STF II, we have learned that by setting aside the artificial barriers of DVDs, cinema tickets and pay-per-download, the way is cleared to a new world of voluntary, supportive donations. The sooner we all stop moaning about how “no one is going to make any money” after P2P, we can get on with encouraging each other to look after our cultural environments. No one is saying we’re there yet, but like the man said, we’re beginning to see the light.

Read the rest of ‘The Future Doesn’t Care About Your Bank Balance, But the 1/1000 Do!