... in commons

Towards a Shared Digital Europe

Today, we are launching a project that i have worked on for the last 6 months: A Vision for a Shared Digital Europe. I started working on this while i was still at Kennisland (where the idea was born) and i have continued this work after my departure from KL with Centrum Cyfrowe and the Commons Network. This vision is an attempt to set the stage for a different way about digital policy making in Europe.

With our vision we are proposing a uniquely European way that refuses to the the digital space as a marketplace alone and that sets out to identify a number of principles that can guide policy makers in developing alternatives for the status quo that go beyond an essentially defensive approach that relies on curtailing and regulating practices and operators that are considered to be problematic. In publishing our vision we hope to kick-start a conversation about what kind of digital environment we want for Europe:

Today we are launching a new vision for digital policy making in Europe: Our Vision for a Shared Digital Europe lays the foundation for a new frame for digital policy making in the EU. We propose an overarching policy framework that brings together varied issues and policy arenas, including copyright reform, platform regulation, privacy, data-protection and data governance, antitrust, media regulation or innovation policy.

Digitalisation has led much of our interaction, communication and economic activity to take place through data or over online intermediaries. What kind of space should this digital sphere be? We believe that seeing this space as a market place only does not do it justice. This space is in effect our society – a society that is experiencing a digital transformation. Therefore we cannot accept the digital sphere as a place where only market dynamics rule. Society is more than an interaction between market players, and people are more than entrepreneurs or consumers.

As supporters of the European project, we believe that Europe needs to establish its own rules for the digital space, which embody our values: strong public institutions, democratic governance, sovereignty of communities and people, diversity of European cultures, equality and justice. A space that is common to all of us, but at the same time diverse and decentralised.

Over the past five months we have worked with a broad group stakeholders on developing a frame that can replace the existing Digital Single Market frame that dominates discussions about digital policy making in the EU. We propose a new, society-centric vision that is intended to guide policymakers and civil society organisations involved with digital policymaking in the direction of a more equitable and democratic digital environment, where basic liberties and rights are protected, where strong public institutions function in the public interest, and where people have a say in how their digital environment functions - a Shared Digital Europe.

The Shared Digital Europe must be based on four principles that aim to ensure that the balance between private and public interests is safeguarded. We believe that a Shared Digital Europe must enable self-determination, cultivate the commons, decentralise infrastructure and empower public institutions.

Combine these four elements with a truly European set of values and a new strategy presents itself. **A strategy that policy makers and civil society actors can use to counter the current lack of democratic oversight in the digital space, the deteriorating online debate, the monopolisation of the digital sphere, the enclosure of knowledge and the means of knowledge production and the increasing violation of human rights in the digital space. **

**Most importantly our Vision for a Shared Digital Europe provides policy makers with an opportunity to work towards a truly European idea about how society should function in the digital age. **

Are you working on digital policies and want to learn more or join our effort? Or do you want us to come by and share and discuss our vision with you? Don’t hesitate to reach out to hello@shared-digital.eu

Summer reading tip: water, knifes, pistachio nuts and the tragedy of the commons

Here is a suggestion for a bit of summer reading: The first thing that you need to read (in order to polish up your knowledge of the water rights issues connected to the Colorado river, a.k.a the law of the river) is this New Yorker article from back in may: Where the River Runs Dry – The Colorado and America’s water crisis by David Owen.

Once you are done with this you need to aquire a copy of Paulo Bacagalupi’s new novel The Water Knife and find yourself a place with a swimming pool full of crystal clear water and amper supplies of bottled spring water (you can of course read this book in any other setting, but it is much more enjoyable that way). If you want to maximize your reading pleasure/guilt even more you should also make sure that you have a bowl of pistachio nuts at hand.

The water knife

So why the swimming pool and the bottled water? That is because The Water Knife is set in a dystopian near future where the lack of water has lead to ecological disaster, civil war like unrest and massive human suffering in American south west. States like Texas have become uninhabitable with their populations fleeing into neighbouring states which try to keep the refugees away while struggling to provide water for their own populations. Against this backdrop powerful water barons fight over water rights that grant them the rights to tap water from the Colorado river to provide water for giant, fully enclosed private real estate projects. The novel follows the story of an enforcer of one of these water barons (a so called ‘water knife’) as he becomes entangled in a mesh of conspiracy and mistrust in the dying city of phonic, Arizona.

For me The Water Knife excels both at creating a credible near term dystopia and as a thriller (i even liked the ending which is a rare thing with thrillers).

To increase your reading pleasure i would suggest that once you are about two thirds through the book (around chapter 39 or so) you take a break and listen to episode 640 of NPRs planet money podcast: The bottom of the well, in which the planet money team examines the economic effects of the current drought in California. As i listened to the podcast i was rather surprised to find out that some of the elements of Bacagalupi’s novel (public relief pumps, water consultants hawking state-of-the-art technology to reach deeper and deeper into dwindling aquifers) are already a reality in parts of California.

The planet money episode makes it painfully obvious how our economic system (a.k.a. capitalism) is set up to create the economic incentives to deplete scarce water resources in drought stricken areas for private gain (this is the moment where you want to reach for a hand full of pistachio nuts) and is possibly the most vivid explanation of the concept of the tragedy of the commons that i have come across to far.

How pushing for more copyright is harming the Internet

31 Mar 2014 | 365 words | commons copyright internet

Over on his blog Mike Linksvayer has reviewed a new paper titled IP in a World Without Scarcity by Mark Lemley. Based on his review i will definitely read the paper (i am writing this just after take off on a 10 hour flight and i am cursing myself for not downloading the paper) and it seems that so should pretty much anyone who is working on IP (or as mike would prefer: commons) issues.

In hs review Mike takes a small detour in which he lists the ways of how the Internet has been damaged by the IP owners’ fight against the Internet:

  • Chilling effect on P2P research, result: more centralization;
  • Services police user content; expensive, barrier to entry, result: more centralization, near monopoly platforms;
  • Services cut rare and unfavorable deals with IP owners, result: same;
  • Innovative services fail to cut deals, or sustainable deals, with IP owners, result:
  • less innovation, more Internet as TV;
  • Monopoly abets monopoly; creates opportunities for bundling monopolies, result: threat to net neutrality;
  • Copyright-based censorship provides cover for all kinds of political censorship, result: political censors have additional justification, doing what Hollywood does;
  • All of above centralization and monopoly makes dominant entities a target for compromise, result: mass surveillance and non-state cybercrime abetted;
  • Our imagination and expectation of what the Internet makes possible is diminished, re sult: DRM TV and radio and silos organized for spying are seen as the norm, information organized for public benefit such as Wikipedia, unusual; this flipping of democratic hopes for the Internet, a partial AOL scenario, is collateral damage from the IP owners’ war on the Internet.

All of the points that Mike lists here, but especially the last one do a great job in explaining why we are currently facing a situation wherein our policymakers are incapable of imagining the Internet as something better than a pervasive content delivery platform. This is something that i had complained about a couple of weeks ago (in the context of European efforts to modernize copyright rules) and Mike does an excellent job at explaining how we ended up in this situation. thanks Mike! (also read the rest of Mike’s review, it is really worth it).

Copyright dungeons and grey zones

16 Apr 2008 | 268 words | amsterdam kennisland commons copyright

Felix has posted an interesting review of the recent Economies of the Commons Conference over on the nettime mailing list. He picks up a remark that i made during the ‘Sustainable Images of the Future panel’ on friday night:

The most poignant moment came when Edwin van Huis (Netherlands Institute for Sound and Vision) recounted a discussion with a broadcaster about whether the institute could put online some TV segment that was already on Youtube. The answer was: No! When he asked the broadcaster how he felt about his content being on Youtube the answer was: ‘You can’t do anything against Google’. Thus, as Paul Keller remarked, there is a perverse situation that the official repositories of culture are going to be stuck with stuff that either they cannot make accessible, or nobody cares about. All the rest will be better accessible via Youtube or piratebay.

In short, it became abundantly clear that, no matter how much money you have, the attempt to solve all the legal issues first and only then start to release the material is doomed to failure. Digitization plus strict adherence to the law will not create digital archives but copyright dungeons.

Most of the successful, innovative projects, it turns out, are operating in zones of varying degrees of grey. In the American example, Youtube, the grey zone is protected by corporate might (Google). In the European example, piratebay, the grey zone is sustained by mass civil disobedience.

You can read his full post in the nettime archive or on the knowledgeland blog, where i have reposted it with some additional thoughts of mine.

meanwhile... is the personal weblog of Paul Keller. I am currently policy director at Open Future and President of the COMMUNIA Association for the Public Domain. This weblog is largely inactive but contains an archive of posts (mixing both work and personal) going back to 2005.

I also maintain a collection of cards from African mediums (which is the reason for the domain name), a collection of photos on flickr and a website collecting my professional writings and appearances.

Other things that i have made online: