The internet giveth and the internet taketh away (piracy edition)

Turns out that theverge does music reporting of sorts. their recent history of dubstep music (‘beyond lies the wub‘) contains two short passages that highlight the impact of digital technology on art (in this case dubstep music). The first passage highlights how digital piracy killed the music industry might have actually driven the quality of music production in the past dececade or so: “They cost nothing if you know how to get them for free, which most people did,” says Martin Clark. “The VSTs…

NRC writes about piracy, plagiarizes statistics in doing so

Had a bit of a deja-vu this morning when browsing through the economics section of friday’s NRC Handelsblad: Page two of that section contains a full page article (‘free jukeboxes against piracy’) on music streaming services such as spotify.com (click to enlarge, no online version available): As you can see from the photo above, the article does come with a nifty info-graphic that illustrates how little artists earn from their music being available on services such as spotify (the number 4.882.7…

You are in napster

Just came across this brilliant foto while reorganizing my photo folder (i am locked away in a museum basement without any form of internet access: no wireless & no mobile phone reception): I took this at a stall selling bootleg CDs at the Kwakoe Festival in Amsterdam southeast in the summer of 2006. To me it perfectly captures the essence of the revolution caused by napster when it launched 10 years ago (give or take a couple of weeks): If your work is not available on napster is is probabl…

Using Creative Commons as a fig leaf

I have always had an unspecified strange feeling about Tribe of Noise. Tribe of Noise is an Amsterdam-based online music platform that allows musicians to upload and share their work as long as they agree to make it available under a Creative Commons Attribution ShareAlike license (CC-BY-SA). Simply put this license allows everybody to redistribute the songs on the platform, make remixes of them and redistribute these remixes under the same licensing terms. In all cases credit needs to be given…

Ups and Downs in english

The English translation of the Ups and Downs report on the Economic and cultural effects of file sharing on music, film and games is out [thanks Natali!]. You can download the 130 page report written by a research consortium formed by TNO, SEO & IvIR on the IVIR website [pdf]. I have mentioned the report (commissioned by the ministry of Economic Affairs, the Justice Department and the ministry of Education Culture and Science here before [first thoughts, popular science edition] and as far a…

The socio-economic impact of file sharing [popular science edition]

I just finished reading ‘Ups and Downs – the economic and cultural impact of file sharing for music, film and games’ (see my earlier post for context). All in all the full version does not contain a lot of surprises when compared to the executive summary (which my first post was based on): It is a well written report that, although it makes a lot of sense to someone familiar with the subject, does not really come up with much new insights either. The strength of the report is that it places file…

Why trying to become a guitar hero is bad for the music industry but good for the economy

Early last year the Dutch government (the ministry for Economic Affairs, the Justice Department and the ministry for Education Culture and Science to be precise) commissioned a research report on the socio economical aspects of (peer 2 peer) file sharing. Last week the research consortium formed by TNO, SEO & IvIR published the final version of the report titled ‘Ups and Downs – the economic and cultural impact of file sharing for music, film and games’. This 141 page report looks into the e…

STEIM needs your support!

The fabulous electronic performance arts venue/center/place/non-place [it is hard to describe what this place really is] steim in amsterdam is in danger of loosing it’s funding. over the past years steim has received funding from both the dutch ministry of culture education and science and the city of amsterdam. for some reason (probably because they never go there or because their idea of culture is quite limited) the advisory bodies for both the ministry and for the city of amsterdam have deci…

Pirates for Obama

Will.i.am from the Black Eyed Peas brought together a bunch of american musicians and actors to record a video clip (song) based on the ‘yes we can’ thank-you speech held by Obama on January 8th in Nashua, New Hampshire. The whole clip (‘yes we can song‘) is extremely well done (you might want to call it ‘slick’) and certainly makes me want him to win as many delegates as possible tonight. Especially since, towards the end, there is some proud display of a pirate flag tattoo by one of the female…

Infrastructural claims to fame

I think i bought my last CD (‘Original Pirate Material‘ by the Streets) in 2002 only to rip it to my computer and then to leave it in a train running along the river rhine from Cologne towards Karlsruhe (in the hope that someone else would find it and enjoy it). I have not bought a music CD ever since (with the exception of a couple of baile funk CDs in Rio de Janeiro in 2006, but these don’t count because they were burned on demand by the sellers). As everybody who hasn’t spend the last couple…